Where is she? I can't feel her as clearly as...ah.
"Natalie? Don't be alarmed."
She jumps a little anyway. Not the big jump, and she flails wildly to grab at the rail. "Who the hell are you?"
"I'm Death, sweetie." I have had this conversation many, many times.
"Not funny."
"Not joking, luv. You looked around and made sure you were very alone, and you were right. Nobody saw you come up here, nobody sees you now. It's just you up here."
"And you?"
"And me, though it gets into some metaphysical hairsplitting if we start discussing where exactly in the world I am at any given moment. But we're sure you're here, and for now we'll agree that I'm here too. Okay?"
"...who are you, really?"
Many times, indeed. This conversation is a familiar one. "Do you want me to do the Grim Reaper face?"
"Um..." Natalie looks over the edge. It's a long way down, and rocks and crashing waves at the bottom. I know why she chose this location. "You're not Death."
I do the Grim Reaper face. Ebon robes, skeletal hands, a suggestion of a skull instead of a face, set deep into the yawning blackness of the cowl. It's a cliché but Natalie believes it when she sees it. If I had showed up this way she probably wouldn't have believed it, but changing before her eyes has the desired effect.
It always works.
Ah, yes. Grabbing the rail tighter but shying away. I can feel her mind becoming small. Her heart is racing, racing. She might soil herself, it's about forty-sixty at this point in the conversation. More of the men than the women, interestingly.
"Please relax, Natalie," I tell her as I change back. The Reaper face isn't good for talking, though it is excellent for sepulchral moaning. Gravitas with a vengeance, you could say. "I just want to talk to you."
"You're really Death." Her voice comes out in a strained whisper. This is a common symptom too. Her heart is going so fast, as if it's trying to get a few extra beats in while it still has time. Between fast breathing and terror-tightened vocal cords, it's hard to talk. Sometimes screaming helps, just an animal howl of mortal fear. Letting some of it out really does make a difference.
"...shh. Just relax. Slow down." I don't reach toward her. Never reach toward them. But I do approach the rail and carefully clamber over it. Now we're on the far side, the dangerous side - dangerous to one of us - together. "This is a beautiful place." And we stand there together for a few minutes. Finally I shift myself and climb up to sit on the railing. This is more comfortable. The sun is making its way down the sky, quadrillions of busy little hydrogen atoms moshing furiously into each other all willy-nilly. At one time I attended those deaths but gave it up. The sudden rebirth into helium rendered it pointless, and the atoms didn't appreciate it anyway. They find their own way. Everybody does, of course. I just attend to those who are...stuck. And some others, too, who aren't stuck but are also ahead of schedule. Like today.
Her mind is becoming large again. Some of the terror has faded, as it usually does.
"You look...kind of like my mom."
"Do I? Is that good?" Pat question, of course.
"Yeah." Long, almost sobbing sigh. "I really miss her." And that's why it's pat. Mostly people want to see me as something good or, at worst, merely neutral. There have been many times I was a dog and even quite a few times I was a cat. It turns out you can say a lot with a well-timed purr and a few tail swishes. "I'm just so scared. I'm sick of being scared. I'm sick of being sad."
"Coming to me will end that," I agree. "But if you do, you don't get to become more than what you are right now."
"What?"
"Death is the least important thing this life will ever do."
"...least important?"
"Everything you have experienced so far has brought you to this point. If you choose to end this life, then that was all that all of that effort achieved. And because nobody gets out alive, this life will come to an end eventually regardless. I know you're sad and sick and scared but if you walk away from this place today, I know for a fact that some of your fear and sadness will be gone forever."
She looks very thoughtful at that. We watch the sun reach for the horizon. This is a beautiful place. The view is breathtaking, and coming from me that really means something. "What do you mean?"
"You will have looked Death in the face, and lived to tell the tale. And then your life will go on, and you may achieve more, help more, love more. Eventually this life will come to the end that must come, but it will have touched more lives along the way. It will have shared and shaped the light that touches others. Die now, and those potentials die with you. The point of life is living, you see."
"Potentials." It's a question.
"Nothing is certain."
"Except you. And taxes."
"Actually, taxes are even more certain. You only die once."
She laughes, merrily but a little rueful too. It's a lovely sound, ending too soon. "You took my mom. You look like her, that's cruel."
"I did take her. She was desperately hurt. The pain was awful. She was glad to see me."
Natalie weeps. It passes. The sun is floating on the ocean. "I miss her so much!"
"Who will miss you? Don't answer. But know that there are many answers to that. Dying hurts..."
She looks alarmed. "Does it hurt?"
"Dying? For you, when you're the one? No. The bit of life leading up to it can, sometimes. Trying to die and failing, that does hurt and countless people have called out to me, too often in vain or too late. Capricious luck and fate toy with lives, sometimes cruelly. I promise the cruelty isn't intentional. Luck has no intent at all. But dying, however long it takes to get there, brings pain to an end and what's left is all of us together."
This can be a difficult part of the conversation. Natalie has released the rail and is standing free, swaying a little in the gentle breezes coming ashore. "Pain to an end," she repeats. She sways. "Together...?"
"Together, yes. Not like this. Not discrete bodies and minds. What makes you you is what makes us us, once the you has been left behind. It's difficult to describe in human terms. It's beautiful. This glorious sunset is a single grain of sand on a dreary beach compared to what lies beyond me. But my darling..."
She sways. Gentle breezes. The sun is slowly submerging into a vast, warm bath. "Mm?"
"I'm not here for you."
"Mm?"
"If you take the next step, I am not here for you. I am here for a small fish and an even smaller crab, but not for you." She sways. "I won't be here for you for a long, long time."
She sways. The sun is reddening, a dome of fire upon the sea. Suddenly her eyes fly open. "What?" And she snatches the rail, jerking to it, her peaceful ease replaced by abrupt awareness. "Do you mean..."
"I do."
Natalie nearly vomits with fear, clutching the rail. She still hasn't wet herself. Like I said, usually it's the men.
I turn around and hop down from the rail, walking toward the rising night. A few steps away I turn back to her. "Come over here, sweetie."
Jerkily, she lurches up and over the rail, trying hard not to run away from the edge as if it were going to chase her if she did.
Don't reach for her.
She comes all the way, all the way, reaches for and takes my hand. O my darling. You beautiful child. You bold, wondrous creature.
She sucks in a breath. Her heart is almost normal. The fear of the cliff edge has faded but a new
apprehension has replaced it. "Did I just..."
"No." Her hands are so warm. So alive. "Never fear me again. When we meet again, remember that we're friends. Until then, there are many lives that may reach out to you for help, as you reached out to me. You didn't want me to take you as what I am, you wanted help and comfort. Give the hearts and minds that need that a chance to find you."
She's still holding my hand. "You look like my mom."
Now is the time, and I embrace her. She weeps, quietly, to hold me. "I know, darling. She loves you. We want you to know that. The love goes on." Stroking her hair, feeling her heart beat against me, the strength of her arms around me. "Never be afraid of me again. Okay?"
She lets go, reluctantly, wiping her eyes. "I'm sorry."
"Don't be sorry. You're doing so well. I'm very proud of you."
The last of the sun slips beneath the sea. I watch it go, and almost wave.
"Thank you."
"You will be welcome."